Evo X asks why Star Wars is more popular than God. I’ll answer.
My parents were really into the Christian culture thing (my mom even owned a small Christian bookstore home business for a couple years) and so was I until some time in my early 20’s. I watched Veggie Tales, McGee & Me, the Greatest Adventures, Gerbert, and the rest. I listened to the music of Carmen and DC Talk (but not the Newsboys), and tons of Christian metalcore, punk, and hardcore (FaceDown Records!). I read the Left Behind, Wally McDoogle, Baker Street Sports Club (and spin-off), and Lightning on Ice series, among many others. I owned the Picture Bible (the Bible in comic book format), many of the Archie Christian comics, and Heroes of the Faith bible comics (which I thought were pretty cool at the time, because look at that blood and brain matter. That series was surprisingly gory for the Christian culture industry).
So, you can believe me when I say I know that there are people who do (or at least did) try to keep their kids in the Christian culture industry. As far as I can tell, some people in my church still do. I’ve seen kids in my church carrying around their Action Bibles and Christian manga.
The problems are many. First, it doesn’t work unless you isolate your children from non-Christian children. I enjoyed Veggie Tales, but when your friends at school have no idea what “Whoa I ate the bunny” is and are instead referencing the Simpsons (which you’re not allowed to watch) then you want to watch the Simpsons, just so you can understand what “Hi diddly ho, neighbourino” refers to. When the secular culture is omnipresent, its very difficult to confine your kids to Christian culture.
(This can lead to some ridiculous situations. If you can only listen to Christian music or have Christian cultural products, it becomes tempting to try to define what is Christian as broadly as possible, so you can enjoy what your friends do. Every even quasi-spiritual band is scouted for how Christian they were. I’ve watched as young Christians argued that Linkin Park is Christian).
Second, it’s limited. Sure, there are some comics, some shows, and some movies, but there’s only some (and even fewer which are actually good). How many times can your kids watch Veggie Tales before he gets bored? How may times can you turn on the Greatest Adventure, until you get sick of hearing it in the background, much less your kid? There’s more books, but still it’s limited. There are only so many Christian products being produced, you’ll eventually run out. I like metal, there’s some, but not very many, Christian power metal bands. I couldn’t fill my desire for metal on them alone.
Third, it’s comparatively crappy. Everyone, including almost every Christian, knows that Christian cultural productions are not very good. This is especially so in the area of movies and TV. The only truly good Christian movie I can think of was Gibson’s Passion of the Christ, which was created apart from the Christian culture industry. Most of the rest range from crappy to mediocre. As someone in our sphere (I think, I can’t find the piece), wrote on somewhat recently, it takes the whole support system of Hollywood to make a believable movie, and Christians just don’t have that.
It’s somewhat better in books, because those don’t require as much support, but even so: Left Behind was the Christian cultural phenomenon, but the books were decent at best (I read most of them) and the movies (I haven’t seen) were supposedly terrible. Wright’s the best contemporary Christian fiction author I’ve read (by far) and he’s outside the Christian culture industry. TheChristian talent pool is also much smaller, so the likelihood of a spectacular Christian writer is lower. As well, the need many Christians have for works to have an explicit Christian message and to eliminate vice (no swears or drinking) makes subtler and/or realistic stories more difficult, while also severely limiting some genres such as fantasy (ironic, given the predominance of Tolkien and Lewis in the genre, I know) or SF.
Music is also somewhat better. There are some solid bands, but still, Christian music is generally inferior. Besides the talent pool issue, one problem is the Christian music industry attempts to be relevant, which generally ends up meaning they’re chasing whatever trend is popular at the time. So, by the time they actually get around to writing and producing the music, they’re already feeling like mediocre derivatives of trends from a few years ago. KJ-52 is an excellent example of this. He is (was?) the biggest name in Christian rap, but he put out his first CD a year after the Slim Shady LP, and was signed to a Christian label a couple years later. He sounded like an Eminem clone chasing the trend (and naming one of his main tracks Dear Slim didn’t really dispel this). Most Christian music is like this, copying what was popular years, sometimes decades, before. The only genre I can think of where Christians really lead the fore is metalcore (I don’t know how or why Christians became such a strong presence in metalcore, although it might have something with the influence of Living Sacrifice).
The Christian music industry also has the problem of mainstreaming. There’s a general trend that as a Christian band distinguishes themselves and becomes more popular, they begin to tone down the Christianity and lose their distinctiveness. For example, my two favourite bands a decade ago were Disciple and POD. In their early stages, Disciple had a heavy, distinct, and somewhat vicious rap-metal sound with a very strong Christian message (most of their early CD’s contained a sermon as a closing track), but as time went on, they became more popular and started getting some mainstream attention. The music became more generic, less heavy, and the rap-metal sound was replaced by grungy heavy rock. The Christian message was heavily muted. Same with POD, who got a lot of mainstream attention for a Christian band. A band that had a song called “Abortion is Murder” and explicitly named Jesus in their first album, eventually moved to esoteric talk of Zion and Jah, sounding more Rastafarian than Christian. They also moved from a distinct, heavy rap-metal sound to a reggae-infused generic nu-metal. This process has repeated among countless other bands.
That being said, given the nature of the music industry, there are some great Christian bands out there. In metal, Theocracy is one of the best power metal bands, period, while Tourniquet played unique progressive thrash I have yet to see matched. I’m sure most other genres have similar examples.
Finally, a major issue for individuals is cost and availability. Christian stuff simply costs more and is available in fewer places. A mainstream CD costs from $10-15 (CAD) from HMV, which can be found in any mall. A Christian CD from a Christian bookstore is generally $15-20 (or more, I remember one Disciple CD putting me out $28), and you have to drive out of your way to get there. Even buying from Amazon it costs more. I remember the books costing more and the movies costing more. Amazon may be leveling this out, but I remember the price differences being quite significant.
So, the Christian culture thing is possible and people do it, but there are a lot of factors that pull against it and make it difficult. Bu even if you do do it, in the end, it doesn’t really work. Even if you homeschool, eventually your kid will join the rest of the world (unless you do an Amish colony type thing) and secular culture will get him. There’s a huge trend of Christian kids losing their faith in college and the Christian cultural industry is one of the contributors to it. Antibodies to secular culture needs to be built up while young so the child has a hope to resist it. For example, I’m the only one of my siblings to remain a practicing Christian, despite our upbringing in the Christian cultural industry and my parents attempts to limit secular culture. I’ve seen a number fo other families whose Christian-culture raised kids have strayed upon leaving high school. Some come back, some don’t.
A Facebook Poll asked people to list their favorite books; while Harry Potter came in first, 7.2% of people listed the Bible.
Obviously this is not a good way of comparing affection for Star Wars to affection to the Bible, but having interacted with people, 7% feels rather close to the actual percentage of real Christians.
This one is interesting, because despite my regular quotations of the Bible around here, I would likely not list the Bible as being among my favourite books.
I’m not fully sure how to explain it, but there’s something separate between the sacred and the profane. Important sacred things are measured by different standards than mundane things. I wouldn’t read my Bible for fun and enjoyment and I know of few Christians who actually enjoy reading scripture, yet it’s the book I’ve spent the most time reading by far. I wouldn’t call it my favourite book, but it is definitely the most important and influential book in my life. It’s simply measured differently.
Maybe a more relatable example will help. Amazing Grace is simply the most beautiful, emotionally moving song I know. Yet, I have never listened to it for entertainment. It’s not and has never been in my iTunes or on my MP3 player. I would definitely not call it my favourite song. It’s in a separate category all its own, along with other hymns. It’s set apart.
Relatedly, however much I love heavy metal, I’d strongly object if we added heavy metal worship music to my church. It simply wouldn’t be right.
That might be the problem with the Christian cultural industry, particularly music. It is trying to make the sacred profane and bringing the profane into the sacred. Worship music is set apart; the old hymns have a power and meaning to them. Translating that power, that meaning, into popular music is difficult. The Bible has deep truths, translating those into mundane stories of popular fiction is difficult, something only the most skilled wordsmiths are capable of doing right, which is why so much popular Christian literature is so heavy-handedly clunky. It takes a lot of skill to produce Narnia, very few writers have that skill. While trying to make a mass market thriller spiritually meaningful is a near hopeless task.
One example of the profane infecting the sacred that really rankles me is Grace Like Rain. It’s a “redone” Amazing Grace in contemporary style that adds a course. The song itself is okay if you like CCM, but churches have taken to adding this to the worship music repertoire. So, you’ll be singing along to Amazing Grace, then all of a sudden, out of nowhere, a pop music course of “Hallelujah, grace like rain…” will interject itself, completely ruining the power and atmosphere of the hymn. The sacred song is profaned by the injection of CCM.
The secular and the sacred are separate. Adding the sacred to the secular is difficult and the unskilled will ruin it. Adding the secular to the sacred ruins the sacred. (also, CCM should be kept out of the church).
