Tag Archives: Science Fiction

The BookShelf: John C. Wright

I generally don’t write reviews of the SF/F I read on here, as I try to keep my reviews focused on the blog’s topic, but I’ve been reading John C. Wright’s blog and linking it here for a while now, and so I’m going make an exception. The reason being that I’ve lately read the first three of Wright’s major series and he is definitely worth the exception.

To kick things off, Wright is simply the best living SF/F writer I’ve read; the only living writers whose abilities possibly compare are Orson Scott Card at his peak (ie. back in the time of the original Ender’s game series) and GRR Martin at his peak (ie. the first three books of a Song of Ice and Fire), and I’d say Wright even surpasses them. Wright’s writing style is amazing, and the only criticism I could possibly make of it is he does not write quite as well as Tolkien.

I read his first three series in order of publication (with the exception of Orphans of Chaos which I read right after Golden Age), so I’ll review them here in that order:

The Golden Oecumene

This is the best SF series I’ve read in a long time, possibly ever. I bought the the Golden Age and waiting two weeks for Amazon to deliver the Phoenix Exultant was almost agonizing. I would put the series almost on par with Dune and Starship Troopers (ie: my second and third favourite SFF books ever, after LotR). The scope of the series is huge and he fits so many ideas, ideas which would require whole books from lesser writers to address, in perfect harmony within the series. It is mind-boggling how much he managed to fit so together and how perfectly he managed to do so. The plot is a fantastic and novel take on the fallen scion archetype, weaving numerous story threads together seamlessly, and capping it off with an amazing final confrontation combining logic, philosophy, and science perfectly.

I’d need to be able to write as well as Wright to be able to describe just how great the writing is, so I’ll just say it’s excellent. Wright uses a quasi-classical/Shakespearean English style which he combines with future-jargon that sets a unique tone to the writing that brings the story alive. I can not adequately emphasize how good the writing is. On top of this, he even threw in strong characterization and character development, something sometimes missing from hard SF, which tends to focus on ideas over characters.

Also, Wright demonstrates exactly how to write good ideological fiction. Objectivism subtly permeates and under-girds the series and this underlying philosophy is even essential to the final confrontation, yet at no time does it feel like Wright is preaching or shoving ideology down your throat. The objectivist philosophy is there, but not explicit; it exists in the background, central to the plot and theme, yet barely noticeable and never preachy. Writers of both the right and left should read this and understand how Wright did it; this is how your write ideological fiction.

I guess I should make some criticism, so here’s the only criticism I could come up with: There was a formatting error in what I think was the second book, where a couple extra lines spaces where added in the middle of a sentence. That’s really the only criticism I could come up with and how petty it is should illustrate just how good this series is.

On the other hand, there is one possible warning for this series: because the scope of the ideas presented are so wide and so deep, someone new to SF might struggle with keeping up. Related to this, there’s a lot of future-jargon thrown at you with minimal explanation; everything makes sense in context and is understandable if you are familiar with basic SF concepts, but if you’re not used to SF-jargon or standard SF ideas it may be hard to comprehend. This is not written for SF newbs: if you do not have a basic familiarity with SF staples like super-AI’s and mind-uploading it will be a tough go. And if you’re like Matt Forney and hate “fantasy babble” this is not the book for you. In other words, if you dislike science fiction don’t read this, because it is hard science fiction for hardcore SF fans.

If you have any like of SF at all, read this series right now, and get all the books at once. (I only bought the first book to test it out, and I greatly regretted it during that overly-long two week wait for the second). I can not overstate how great it is. If you hate SF, this is SF. You can buy the Golden Age, Phoenix Exultant, and the Golden Transcendence at the links.

War of the Dreaming (Chronicles of Everness)

This two part series blends pagan, classical, Judeo-Christian, and English mythology together in an epic fantasy tale. The story is unique and avoids fantasy tropes, while at the same painting an unworldly, fantastical version of our own world.

The plot  and characterization are solid: the two main characters, Galen and Raven, undergo well-done coming-of-age and redemption, respectively, arcs, but the highlights are the world-building and the writing. The writing is excellent, once again having a tinge of classical/Shakespearean English to it. Again, there’s some ‘fantasy babble’, although far less than in the Golden Oecumene; it should be accessible to those with a passing familiarity with mythology.

The world John C Wright builds is fantastic in both sense of the word. The breadth of the mythology used and woven together is fantastic, and one would need a strong classical education to get it all, far stronger than the one I got in the public education system. I understood many (most?) of the references. but repeatedly, a mythological reference would be made that I would realize I was missing; I ended up consulting wiki a number of times. The breadth of references and the ease with which they’re worked in demonstrate a very high level of knowledge of myth by Wright. Yet, despite the depth of knowledge required to understand every nuance of the book, missing a reference never detracted from the story. Knowing the mythology added to the enjoyment, but there was never a point where a lack of knowledge made you miss a part of the story. The integration of mythology characters and themes was well-done indeed.

This series is heavily Randian, even more so than the Golden Oecumene. The ideological underpinnings of the novel are far less subtle; one of the protagonists, you’ll know which one if you read it, could have easily been named John Galt, but even so, it never becomes preachy or off-putting. The objectivism is worked seamlessly into the plot and never detracts from the book. This is another good example of how to write ideological fiction.

I have no criticisms of this series, it was excellent. If you like fantasy, you won’t regret buying these books. Even if you don’t typically enjoy fantasy, this is not your stereotypical story of elves and dwarves, but rather a story of myth, so you’d probably like it anyways. I recommend reading books the Last Guardian of Everness and Mists of Everness. You can buy them at the links.

Chronicles of Chaos

This series is a weaving of classical mythology into the orphanage-of-fear trope. I was skeptical of this series, because these orphans-at-a-boarding-school-discover-their-powers-and-come-into-their-own has never been something that I’ve particularly cared for. I’ve always preferred focus on ideas, world-building, action, and plot to character development and characterization and these orphan-type stories tend to focus on the last to the detriment of the first three.

I did buy Orphans of Chaos at the same time I bought the Golden Age and it was excellent. The writing was once again amazing, although, it had less of the classical/Shakespearian English influence to it than Wright’s other books. The escape-the-evil-orphanage plot was OK, but only OK. Even so, the writing was great enough to really pull it along and keep me engaged. The parallel discovering-the-hidden-secret-of-the-orphange plot was excellent. The slow reveal of the hidden secrets and the world-building of the world outside the orphanage really drew me into the book. I was hooked and immediately ordered the next two books upon finishing.

Sadly, in the second book, Wright made the only major misstep I’ve seen throughout the three series I’ve read. I’ll try to avoid spoiling it, but the beginning of the second book pretty much undid the advances of escape-the-evil-orphanage plot of the first book, so the world-building and the hidden-secrets plot more or less stalled as the escape-the-orphanage plot, ie. the most mediocre part of Orphans of Chaos. took up the first half of the second book. Wright would have been far better off combining the last half of the first book and the first half of the second book, cutting a bit of filler, and reducing the series down to two books. Had he done so, I would probably be praising this as highly as his other two series.

Following this misstep I just wasn’t as engrossed in the series as I could have been. I haven’t finished it yet, I’m about half-way through the third book, but so far the second and third books have been merely good rather than fantastically amazing like his other series. I’m hoping for a really good pay-off at the end.

The reason for the books being only good is the same reason I was originally skeptical of the story, I don’t care for orphan-type stories. Wright has built a huge interesting world and has a compelling hidden-secrets plot woven into this, but instead of putting the main focus on exploring this fascinating world, he instead focused on character development and the escape plot. Even after the escape-the-evil-orphanage plot wrapped up, instead of going full bore into exploring the world and developing the hidden-secrets plot, he morphed it into an avoid-being-recaptured plot.

I want to read about interactions between the Greek gods and the titans and get enveloped in the struggle for dominion over the mortal world. Instead I’m reading ‘while hiding away from her schoolmaster will the teenage girl main character remain free? Will she win the heart of the aloof sigma or will her feelings develop for the manly alpha jokester?’. I was really getting into the world-building and the divine struggle, but Wright keeps pulling the book back to the main character’s personal struggles. There’s just enough divine-struggle plot rationed out here and there to keep me reading, but I want more. I’m really hoping the last half of the third book really dives more into this.

I may be painting an overly negative picture at this point, so I’d like to note that the last two books of this series aren’t bad, just disappointing. If I hadn’t just read his other two series, I would probably think this was a good series, but it just doesn’t compare to his other two series and the first book. After all the hype of eagerly waiting for Fugitives of Chaos to arrive ( it took two months before I cancelled my Amazon order and ordered it elsewhere), it just didn’t live up to it.

This series is good, it is well-written, with good characterization. There is very little ‘fantasy babble’ in this series and that which there is easily understandable as it is written from the perspective of a teenager.  The execution of what it does is done exceedingly well, but what it is focused on doing is just not my cup of tea and it put the parts that I really do like on the back-burner.

I’d recommend that you buy Wright’s other books first. When (not if) you like those books, pick this series up, but don’t make this your first foray into his books, as it is merely good as compared to the magnificence of his other two series.

If you do like evil-orphanage plots and really enjoy character development over plot and world-building, then this book is highly recommended, as it executes this well. Also, this is probably the most friendly series towards those who are not SF/F nerds.

You can buy books Orphans of Chaos, Fugitives of Chaos, and Titans of Chaos at the links.

Conclusion

I can not praise Wright highly enough. Wright is single-handedly making me seriously consider buying an e-reader simply so I can read his output from Castalia House as soon as it comes out. If you enjoy SF/F you need to immediately read the Golden Oecumene and War of the Dreaming series, they are fantastic series. Put off the Chronicles of Chaos series until you’ve finished those, as it’s good, but only good.

I am very much looking forward to reading his Count to the Eschaton Sequence. I’m putting it off, because it has three books still to go, and I don’t want another aSoIaF situation where I’m impatiently waiting 5 years so I can read what happens next. But the instant the publishing announcement is made for Count to Infinity, I’m buying the entire series.

Anyway, John C Wright is an amazing author, read him.

On ‘Geek Girls’

Here are two articles from one Alyssa Rosenberg in Slate. The first is about how there is no such thing as “fake geek girls”. The second advocates feminists in science fiction push their ideology on the SFWA and push out and censoring established male SF writers.

Of course, Alyssa sees no contradiction between these two asserations; in fact, linking to the former article in the latter.

As someone who enjoys SF, among a variety of other nerdy hobbies, I would like to comment on this.

I have no problem with women writing SF, reading SF, or participating in any other nerdy activities. I also have no problem with women who participate in some nerdy activities and not others, for whatever reasons. There’s nothing wrong with a girl (or a guy) who likes Dr. Who, but doesn’t like D&D.

My problem is not women who engage in whatever nerdy activities they enjoy to whatever extent they like and avoid what they don’t. My problem, is that some women, turn what should be some enjoyable hobby into a crusade to destroy what others enjoy.

That is where the ‘fake geek girl’ meme comes from. It has little to do with women who enjoy or not enjoy certain nerdy activities and everything to do with women acting like they enjoy geeky activities while actively try to destroy those same geeky activities.

The ‘fake geek girl’ is not the girl who likes Dr. Who but doesn’t care for BSG; it’s the girl who watches Dr. Who then demands the next Dr. Who should be a woman. (Dr. Who was just an example I saw recently, I don’t watch the show and don’t really care). It’s the girl who actively tries to destroy a nerdy activity so whatever BS political crusade they happen to be on at the time who is the ‘fake geek girl’.

Why do some women, who claim to love whatever nerdy activity they are talking about, insist on changing the very nature of what they profess to love? If the geeky activity a women claims to love is only acceptable to her if it is entirely changed, then she is definitionally a ‘fake geek girl’.

Why can’t you just enjoy something for what it is? If you don’t enjoy it, then simply avoid it rather than trying to change it.

The question is not, “whose participation in genre fiction is more valid?”

The true question is, “why the hell won’t you leave us alone?”

If ‘women like SF’, but are put off by cheesecake in SF or other sf tropes, then why don’t women write their own SF without cheesecake, then leave those who enjoy cheesecake SF alone?

If ‘women like comics’, but don’t like heroines with skintight costumes, then why don’t they write their own comics with heroines portrayed however they want, and leave Powergirl alone?

If ‘women like video games’, but don’t like damsels in distress, then why don’t they create and sell their own video games with ‘strong, independent women’ and leave Princess Peach alone?

But the feminists, in their usual entitled, narcissistic uselessness can not leave alone. Instead of creating their own characters, their own games, their own stories, they have to attack everyone elses’. They demand the entire industry of nerdy entertainment cater to them and their preferences because in their narcissism, only the feminists’ desires matter; fuck those loser male nerds who built the entire industry.

Goddess forbid that males should be allowed to enjoy what they enjoy without some hateful harpy hectoring them for it.

Are they so thoroughly incompetent they can not make nerdy entertainment that fits their preferences and others would enjoy, but must rather content themselves with destroying what everyone else enjoys?

Are they such emotionally fragile and pathetic people, that they can not live and let live, but must muster up umbrage every time someone enjoys something they don’t like?

Mario would not be Mario if he wasn’t rescuing Princess Peach. If you don’t like it, don’t try to change Mario to ruin him for everyone else, go make your own game where Maria rescues Prince Apple. If the idea is good, people will buy it, if not, they won’t.

****

Sidenote: Vox has had some fun with the SFWA on this issue. I’ll link the series here, as it is an enjoyable read, as most of Vox’ rabbit-poking is.
http://voxday.blogspot.ca/2013/06/women-ruin-everything-sfwa-edition.html
http://voxday.blogspot.ca/2013/06/the-dangerous-vision-of-sfwa.html
http://voxday.blogspot.ca/2013/06/sfwa-burns-witch.html
http://voxday.blogspot.ca/2013/06/seriously-fascist-womens-association.html
http://voxday.blogspot.ca/2013/06/stampeding-herd.html
http://voxday.blogspot.ca/2013/06/a-black-female-fantasist.html
http://voxday.blogspot.ca/2013/06/sfwa-forum-moderated-posts.html
http://voxday.blogspot.ca/2013/06/sf-vs-science.html
http://voxday.blogspot.ca/2013/06/rejecting-lie.html

The Bookshelf: As I Walk These Broken Roads

Aurini over at Stares at the World has written a post-apocalyptic novel called As I Walk These Broken Roads. I don’t normally review the fiction I read on here, but Aurini is a part of the manosphere/alt-right blogosphere, so I thinks it’s relevant to the blog.

The books is set in post-nuclear holocaust Ontario. The setting is enjoyable; Aurini built a believeable post-apocalyptic world to set his story in. I look forward to the rest of the series where the origins of this world are more fully explored.

The book centres around Wentworth, a mysterious, deadly loner who beings his quest wandering in the figurative desert. Wentworth is a solid, but not particularly original, take on the hypercompetent anti-hero archetype. I like that her was a realistically hypercompetent anti-hero. He never becomes a self-parody and remains solidly in the realm of beleivability, which given the nature of the setting is important. A James Bond or Mike Harmon type would’ve been out of place. As the story progresses Wentworth becomes more fleshed out and takes on more depth. He’s a strong lead for the book.

The other main character is Raxx, a mechanic in a small-town who hasn’t been fully accepted into his adopted home. He has somewhat more depth than Wentworth and complement the main character quite well. Overall, he’s a good character; not as “cool” as Wentworth, but more relatable and “human”.

The villains fit their purposes well and are fairly well developed; their motivations and actions are heinous and interesting, but never unbeleivable. The other minor characters don’t have much depth, but they fill their roles adequately.

Overall, the book is well written. Aurini writes in a straight-forward style with just enough style to pull you in. The action scenes are realistic and well-written. The dialogue is solid and beleivable, while the philosophical conversations are interseting, but never extend too long or interfere with the story.

The book’s story is divided into three general arcs:

The first arc extends over the first few chapters and introduces the setting and characters. This arc is solid and moderately entertaining but not overly engrossing. It functions well as an introduction and leads nicely into the main arc, but is somewhat lacking a certain je ne sais quoi. It feels like Aurini was finding his fiction writing style during this arc.

The second arc comprises the bulk of the book and contains the main storyline. The story picks up here and it was thoroughly enjoyable. The story and villains are excellent. This arc is fantastic, it read like Aurini really got the hang of writing fiction by this point. Whatever the first little arc was missing, Aurini found it here.

The third arc comprises the last few chapters. I thought it was somewhat unnecessary, the book should really have ended after the main storyline was resolved with maybe a short epilogue.  The last part extends the book with adding much to it; I started to lose interest and left the book for a few days, before finishing off the last couple chapters. It seems to have been included as a set-up for the next book in the series, but I think a short epilogue would have set the stage better.

Overall, the book was really good output by Aurini. It started wobbly, but really picked up steam and I ended up thoroughly enjoying it. I am definitely purchasing the next book in the series whenever Aurini releases it.

Recommendation:

This was a good book; if you like the genre or the concept interests you, pick the book up. It is a entertaining read and definitely worth the time investment.

If you don’t care for post-apocalyptic science fiction and the concept of the book doesn’t interest you, the book probably won’t change your mind.